rep two

conceptualized by joshua grant

BRIGHT YOUNG THINGS

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Coping Mechanisms

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lowleveljoy

A message from
the Artistic Directors

We’re so grateful to have you here. rep one was a meaningful and successful beginning, and it’s because of your presence and support that we’re able to continue forward. DTS is growing, and that comes from a community like this one that shows up, engages, and believes in what we’re creating.

This evolution is reflected in rep two which leans toward minimalism. Toward finding self, embracing simplicity, and allowing the pull of new adventures and blind leaps of faith.

We begin with BRIGHT YOUNG THINGS, a work created for digital release during the isolation of the COVID pandemic. BYT explores the tension between individuality and structure, and how a singular voice can still emerge within uniformity. The score, composed by former Pacific Northwest Ballet principal dancer William Lin-Yee, carries a pulse that feels like a battle cry.

Coping Mechanisms is a conversation with Balanchine’s Black & White ballets of the mid to late 20th century. These works formed my early understanding of dance as I returned to them often. There was a kind of relief in their clarity: no character to construct, no narrative to fulfill, only the body, the music, and the demand to be exact and present. Set to Paganini, the score resists stillness. It drives, fractures and plays. Precision while never settling into predictability.

We close with lowleveljoy, where the boundaries between dream and waking begin to soften. Movement and sound interlace and pull apart, tracing a path through disorientation toward something quieter, more resolved. Not an answer, perhaps, but a way of seeing through. Featuring music by Röyksopp and Cigarettes After Sex, lowleveljoy is a journey of finding the simplicity to see through the difficulty.

Thank you again for being here and for supporting Dance Theatre Seattle. We’re excited for what’s ahead as we continue to build, explore, and create space for new work. We hope to see you again at our gala and A Nutcracker later this year, and for rep three in Spring 2027.

For now, enjoy the performance
Joshua Grant and Chrissy Montoya

I create from the pulse of the world around me—the way wind moves through trees, the stillness between two people before they speak, the electricity of a glance, the ache of silence, THE ANXIETY OF DOUBT. I’m drawn to the organic and the structured equally, the unspoken, the human experience. Music is my first collaborator—when it swells, I want to feel it in my ribs, in my spine, pulling movement from places words can’t reach. My choreography is rooted in self-truth. No artifice. No empty shapes. I don’t want dancers to perform emotion—I want them to live inside it, to let it crack them open and pour out. Each piece is a conversation between body and sound, heart and memory. It’s not about perfection. It’s about presence. About feeling. About finding something real in the chaos. A quiet, powerful way to say what can’t be said any other way. If we're not moved—genuinely, deeply—then what are we even doing?

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Joshua Grant

BRIGHT YOUNG THINGS

Music
William Lin-Yee

Choreography
Joshua Grant

Dancers in order of appearance
Cameron Matsui
Tiffany Hu
Thomas Fontana
Sana Tepley
Bizzie Adams
Chisanna Suzuki
Juliana Wright

Intermission